Hi folks,
Just wanted to let you know that the eBook version of The Woman in Red is free for three days, from Wednesday April 12 through Friday April 14.
What have you go to lose??
Available at the Amazon Kindle store.

Hi folks,
Just wanted to let you know that the eBook version of The Woman in Red is free for three days, from Wednesday April 12 through Friday April 14.
What have you go to lose??
Available at the Amazon Kindle store.

One of the reasons for the success of Doctor Who over its nearly sixty years of history is the variety of stories the show presents. The stakes can be small or potentially universe-ending. The setting can be the past, present, or future, or a combination thereof. And within a given story, the tone can change from light-hearted to deadly serious in a pair of heartbeats.
I have a particular fondness for the third Doctor’s era, and as a writer, I enjoy writing in a variety of styles, from serious character studies to light-hearted affairs. Recently, I wrote a light-hearted, third Doctor story called “The Unravelling.” What I was going for here was to provide an amusing, in-universe explanation of why the walls at UNIT HQ were occasionally prone to wobble. And, why it was that the quality of light indoors was quite different from outdoors.
It’s been published by The Doctor Who Project, which posts two kinds of stories. On the one hand, they continue the adventures of the seventh Doctor past the cancelation of the series. These can be considered to take place in an alternative universe. The Doctor has regenerated several times in this universe.
The other stories are tales of the classic Doctors under the umbrella, Brief Encounters. Herein you’ll find “The Unravelling” among many other Doctor Who short stories.
Please give it a read and let me know if you enjoy it. And do check out the other fine stories collected here.
For a long time now, I’ve been itching to take my four-story fan fiction saga that linked the Firefly, Castle, and Doctor Who universes, and combine them into a single volume. It’s called The Time Conspiracy.
It all started back in 2012 with my fanfic story, “Goodbye.” In that story, I introduced time travel to the Firefly universe because—hey! It’s me. After the events of the movie Serenity, Mal and company meet up with someone from their past who should be dead. And they’re not the only ones who have been seeing ghosts. Something is wrong, and it’s up to the crew of Serenity to put it right.
This story led, inevitably perhaps, to a couple of Firefly–Castle crossovers. In “A Firefly in the Castle”, Mal visits Castle’s Earth. In “Castle Serenity”, Castle and Beckett find themselves in the far future and join the crew of Serenity. In these stories, we learn that Mal and Castle are clones, inserted into their respective time streams to nudge events in a direction favourable to the Alliance.
The conclusion of the saga came with “Miranda” in 2016. This story brings the eleventh Doctor and Clara to the Firefly universe to get to the bottom of why the Alliance is meddling with time.
It’s interesting and gratifying to see how my writing improves along the way. And there are other things. The closing scene of “Castle Serenity” is, I think, the most touching thing I’ve written. To this day, it continues to makes me misty-eyed. And from a plotting perspective, “Miranda” is the most complex story I’ve written, telling its story while fitting into the events of “Castle Serenity” and the movie Serenity.
I also have to say that I’ve really enjoyed reading this adventure. I hope you do too.
To get your hands on the EPUB file, see my blog page, The Time Conspiracy.
Alfred Hitchcock Mystery Magazine has a great monthly contest. They print a photo and your job, as contest entrant, is to create a short crime story around the photo. And by short, I mean 250 words or less. I submitted for a story for the Nov/Dec 2022 photo but wasn’t selected. I like the story though, so I’m going to post the photo and the story here.

“Was it just yesterday that we hiked to the summit?” said Ellen Mordew. “We were so foolhardy.”
“Perhaps,” said Ajay Singh. “Or perhaps we were celebrating life, as Stuart would have wanted.”
Wiping away a tear, Ellen said, “Nothing was too crazy for Stuart. You knew him longer than I did.”
“Best friends since high school.”
The pair sat in silence as the lava descended the slope, steam rising as it meandered towards the surrounding flatlands.
By now the lava would have melted the gun that Ajay had buried under some rubble on their descent. The police hadn’t found the murder weapon, and now they never would.
Ajay smiled as he sat in companionable silence with the woman he’d loved in secret for years.
If you watch The Rookie: Feds, you’ll have finally caught a glimpse of character Brendon Acres playing Vampire Cop. This was the titular character of a defunct TV show in which he starred prior to joining the FBI.
We all want more.
Sadly, I can’t give you more, but it turns out that in my short story, “Don’t Ever Change”, there is a similar story within a story. It concerns actor Alan Fitts playing the justice-dealing vampire Charles Wardell.
Here it is. I hope you enjoy it.
#
A slow knock at the door. Angelika Labelle’s eyes widen. She is seated upon a divan in front of the hearth, her face illuminated by the blazing fire within. The camera pulls back, and we see that the apartment is lit with candles, yielding areas of light and shadow. This is accentuated by the stark black-and-white photography. Decorations include antique cabinets and clocks, a hand-woven Turkish carpet, an intricately carved coffee table, and small Renaissance-era oil paintings. Another knock and she stands, adjusts her close-fitting dress, and sashays to the door.
She opens the door slowly. There is a man standing in the corridor, hands folded behind him. He wears a black suit with a dark-grey shirt and a grey-and-black-striped tie. The corridor light is garishly bright, causing the woman to blink and raise her hand over her eyes.
A smile comes to Angelika’s face. She lowers her head slightly and looks up at the visitor, eyes half lidded. “Well this is a welcome surprise.”
“May I come in?” says Charles Bardell.
Angelika steps back and waves her arm. Charles enters, and she closes the door behind him.
Stepping in front of the hearth, Charles regards the flames; the light dances in his dark eyes.
“Wine?” asks Angelika, moving to the buffet. She reaches for a decanter filled with red liquid.
“No,” says Charles. “No, I’m here on business.”
“Business,” says Angelika, as she moves towards Charles. “Well now I am intrigued.”
Charles turns rapidly and grasps Angelika by the forearm.
“Charles!” Angelika’s eyes widen. “What are you doing?”
“You killed them. Those men. Why?”
Angelika blinks and her mouth opens slightly. Then, composing herself, she looks away. “I’m sure I’ve no idea what you’re talking about.”
“You seduced Doctor Boreanaz and blackmailed him. He provided you with the insulin and syringes you needed.”
“My, you are fanciful. Why on earth would I do such a thing?”
“They uncovered the truth about your past. As have I.”
Charles lets go of her then, and Angelika backs away, eyebrows raised. “What are you going to do?”
“Deliver justice.”
Angelika laughs. Moving to the buffet again, she pours a glass of wine, giving away a slight tremor in her hand, and takes a sip. “So,” she says, “you’re a policeman now?”
“I’m no policeman.” His words sound like a low growl. Approaching her once again, his face is dark with both anger and sadness. And something else. Hunger?
Angelika tries to back away but bumps into the buffet. Setting down her glass, she rests her shaking hands on the surface behind her. Charles approaches and bends so that he is very close to her neck. The camera closes in, showing the pores of her skin and his open mouth with its white teeth.
“Charles, this is hardly the time,” Angelika says weakly, her body trembling.
“This is the only time,” Charles whispers.
His canines grow, and when they reach full length, Charles bites down on her carotid and drinks deeply. The camera moves to his eyes. They’re alight with energy. The camera pulls away and focuses on the roaring fire in the hearth.
#
In “Don’t Ever Change,” people are inexplicably dying after meeting Alan Fitts, and someone starts to wonder if he mightn’t actually be some kind of vampire. You can find the story in my collection, Something Special, available at Amazon.

We met Will Fallon in the short story “Remember Me?” in my collection Something Special. Will encounters a woman named Susan Follows who can travel between worlds and who has come looking for his cat, Sam. Sam, it turns out, isn’t from around here. And in the world from which she came, she can talk. Will and Sam travel with Susan to many worlds until they end up back home, and Susan continues her travels on her own.
“Happy Enough”, a sequel to this story, appears in my new collection , The Woman in Red. In this excerpt, Will Fallons encounters someone who shouldn’t exist–a fictional character of his own making.

The second incident happened on Tuesday of the following week while Della was away at a conference. I was to meet some friends at a nearby Irish pub that evening. Being the first to arrive, I scanned the patio for a free table. They were all occupied and I was about to head indoors when a woman rose and walked towards the exit in my direction. I was about to thank her when I realized it was the dinosaur-dress woman from my story, “Under the Sand.” She was Black, her hair arranged in ringlets falling to her shoulders, and she wore a close-fitting cotton dress decorated with dinosaurs. I was stunned. Recovering a moment later, I decided what to say.
“Hi,” I said, when she was closer. “I was going to thank you for the table, but I think I know you.”
The woman said nothing, and instead raised a skeptical eyebrow. Interesting, I thought. If this is a show for my benefit, why does she look like I’ve just given her a lame pickup line?
“You work at FLIR, don’t you?” I continued. “I saw you speak at a defence conference.”
The skepticism on her face was quickly replaced by surprise.
“I’m Will Fallon. I used to work as a technical writer. You’re … Briana?”
“Briana Davison,” she said with a smile.
And that’s when the blood drained from my face. I hadn’t used her last name in the story, something that I’d kicked myself for. But that was the surname I’d chosen as part of her backstory, as was the defence conference. I had to force myself not to sway on my feet.
“Nice to meet you,” she continued. “You live in Kingston?”
“Um, yes. Are you here on business or sightseeing?”
“Bit of both. I’m collaborating with a professor at the Royal Military College. Well, I must get on. Nice to meet you, Will,” and she extended her hand.
“Same,” I mumbled, and we shook. Watching her leave, I whispered, “Stay clear of San Diego.” Then I took a seat at the empty table and ordered a large whiskey.
It was earlier than planned when I got home. Despite my best efforts, I’d only paid half-hearted attention to my friends, and when they noticed, I pleaded lack of sleep. Sam was waiting for me just inside the door. That was unusual. She went out most nights through a second-floor window that I keep open, leaping from the window ledge to the maple tree and returning home the same way.
Sam came up to me and rubbed her head against my leg. Kneeling down, I scratched behind her ears and looked into her eyes.
“You know, don’t you?” I said. “That something’s wrong. You always know.”
The Woman in Red is available from the Amazon bookstore.
Amazon.co.uk: https://www.amazon.co.uk/Woman-Red-Selim-Ulug/dp/B0BMJGLF5N/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1669407189&sr=8-1
What follows is a brief excerpt from “The Tinselator”, a story included in my latest collection, The Woman in Red. Here, Kaylee encounters a second visitor to her home on Christmas Eve.

After noticing that the sounds on the roof had stopped, Kaylee felt rather than heard something soft and heavy landing on the floor somewhere in the house.
Once again, she peered out the bedroom door, considered waking her mother, and instead crept towards the living room. It hadn’t changed very much since she was five. Her mother had bought some new curtains. Or rather, she’d bought some material and had fashioned curtains from them. They were still thin, though, and she could easily see the contents of the room from the streetlights shining in.
All was as it should be: sofa, chair, coffee table, the TV and the plant stand. It’s just that there was something there that didn’t belong: a man, dressed in red, with snow white hair and beard, and wearing white gloves. Next to him on the floor was an enormous, bulging sack, standing about five feet high, tied-off at the top with rope.
The man was snuffling and scratching his head as he looked at a long piece of paper.
“You’re not Santa Claus,” Kaylee pronounced.
The man started, dropped the paper, and stood up. “I’m not?” he said.
“No. You’re not Santa Claus because there’s no such person.” Kaylee said as she crossed her arms.
The man looked down, scratched his head again, and said, “That’s funny. That’s very funny. Because I’m quite sure that I was Santa Claus when I left the North Pole. Yes, I definitely remember Mrs. Claus fastening the top button of my coat before I left. She said, ‘Now then Santa, you’ll be just fine without me. After all, you’ve been doing this for over 2,000 years.’ So, you see, I must be Santa Claus. The problem is, even though I have been doing this a very long time, things always change. People move around, new children are born, other children grow too old for my toys, it all becomes such a muddle.”
His eyes began to tear up and he withdrew a handkerchief and gave his nose a loud blow.
Finding that she was starting to feel sad for the man, Kaylee spoke in a softer voice. “But how do I know that you’re Santa? You could be anyone in a red suit with a big sack.”
Now the man’s eyes began to twinkle. “Oh, but this isn’t just any old sack. Come here and I’ll give you a peek inside.”
The Woman in Red is available from the Amazon bookstore.
Amazon.co.uk: https://www.amazon.co.uk/Woman-Red-Selim-Ulug/dp/B0BMJGLF5N/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1669407189&sr=8-1
Phew! It’s finally out there. When you finish a writing project, it can feel like you’ve just finished the last exam of your final year at university. You’re completely spent, happy that it’s over, but also satisfied that you’ve done the best that you could do.
I’m talking about my second short story collection, The Woman in Red. As I found with my previous collection, Something Special, writing the stories is just the beginning. When you go the self-publishing route, you are in fact the publisher. It’s up to you to either do the necessary work or delegate it, and that includes editing, copy editing, layout design, and, well, you have to do it all. Amazon’s Kindle Direct Publishing (KDP) tools help a lot, but it’s up to you to make the finished product as perfect as it can be.
As for the stories themselves, they have a theme, one I wasn’t conscious of as I wrote them. Sometimes you don’t understand what you’ve done until you’ve done it. In The Woman in Red, the theme is, what if you found out that everything you thought you knew was wrong and your understanding of the world was completely upended. What then? I explore that theme in multiple genres, including crime, horror, fantasy, and children’s.
The titular story, “The Woman in Red”, has a particularly interesting history for a couple of reasons. First off, it was actually completed years ago, but subsequently sat in an editor’s in-basket for a very long time. I finally decided to liberate the story and present it here. Also interesting is the fact that it was initially meant to be another of my Castle fan fictions. To discuss how the concept grew from a fanfic to an original tale would be to spoil it, but I explore this in the postscript following the story. The funny thing is, now that the story is out there, I’ve an almost irresistible urge to write the fanfic as I originally intended. That probably won’t happen, but never say never …
This is a much shorter collection than my previous book, Something Special, because my next project will be longer form prose. You get a sneak preview of that novel here with the first chapter of A Familiar Voice, the sequel to the story “A Voice.”
If you do pick up a copy of The Woman in Red, I certainly hope you enjoy it. The beautiful cover art is courtesy of @VIIIJohannes.
Amazon.co.uk: https://www.amazon.co.uk/Woman-Red-Selim-Ulug/dp/B0BMJGLF5N/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1669407189&sr=8-1

About a year ago, I connected with Alia E. Torrie (@TheWeegieDoctor) on Twitter and was was quite blown away by what I found on her YouTube channel: musical compositions, acting, narration, singing, you name it. There’s more about Alia on her Spotlight page. Among many other things, she has voiced characters in assorted Doctor Who fan audios released by TT Productions 23. That being the case, I thought it would be quite something to write a Doctor Who script for her. I had a couple of story suggestions but she countered with the concept of playing an alternative version of the Doctor during the Time War. Oh yes, I thought, I can work with that…. The result was Doctor Who: The Alternative War, release date August 17, 2022. Here’s the trailer, and I’ll provide an update when the full release is … released. And here it is.
I finished the first draft of the script near the end of November 2021 and, with Alia’s help, assembled the rest of the cast. Companion to Alia’s Doctor, the multi-talented Abi Louise (@AbiLouise230) plays a young Time Lord, Aliana, who’s destiny collides with the Doctor on Karn, shortly after her regeneration. Jack Reeves (@JackReevesDW), well known in the Doctor Who fan community, plays Mattlin, a human who is trying to rally his people to unite in the face of an imminent threat. Jack also plays one of the soldiers. The cast is rounded out by Zak Rosenfeld (@ZakR1998), who plays some of the soldiers, and Marcus Cotton (@SirJediSentinel), who plays another Time Lord. And I have a line! My acting debut! A blink-and-you’ll miss it line!
I love to hear Alia sing, and thought that it was time we all heard at least one incarnation of the Doctor break into song. I left a placeholder in the script and basically said, “The Doctor sings here.” Alia took the challenge to heart and composed and performed a beautiful, heartbreaking lament that you won’t be able to stop replaying.
The second and final version of the script was finished on December 1. The actors did the recording early in 2022. I found myself facing quite a learning curve as I needed to select takes from the actors and stitch them together. I’ve learned a lot about Audacity this year. Finally, the sound design was provided curtesy of the amazing Jaspreet Singh. I really think sound designers don’t get nearly enough credit, the way they magically place the actors performances in the world. I’d worked with Jaspreet previously on the fan audio, Doctor Who: The Eighth Day.
This script effectively marks my first full-cast audio play. Even my stories for Big Finish were in short story format, not script form. Writing it was a very enjoyable experience, and yes, it’s very different from writing prose, but I think it turned out pretty well. I hope all of you who listen agree. The best part of writing a script, of course, is hearing a cast of very talented actors bring your words to life, wringing emotions out of phrases that you hadn’t realized were buried in there.
In this story, the TV Doctor Who universe and this universe diverge at the moment when Paul McGann regenerates into Alia E. Torrie rather than John Hurt. Alia’s Doctor is very much a Doctor, though is wrestling with a newfound darkness which she is afraid might overtake her. After meeting Aliana, they begin their first mission, encountering unexpected obstacles along the way. As one does.
I can’t wait for you to hear The Alternative War, and if the band is willing to get back together in the future, I’d like to write a sequel.
It can be scary, putting yourself out there. Sharing with the world something you created. Because when you do that, you’re leaving yourself vulnerable. Open to criticism. To ridicule, even. No one likes to be embarrassed.
But if you’re of a creative bent, there’s little choice. Yes, you can create things just for yourself. Horde them like Scrooge McDuck, and open the vault once in a while to play with your darlings. That’s a lot safer. But not very satisfying.
We create is for ourselves, but we also create to communicate with others. That communication goes both ways. We communicate with the world via our art, be it writing, illustration, sculpture, acting, sound design, or what have you. And the world communicates with us in the form of criticism, praise (if you’re lucky), or indifference. To say nothing is to speak volumes.
For those of us who write, many began their journeys in one fandom or another. Yes, I’m talking about fan fiction. It’s an attractive place to start because the characters and setting are already established, leaving you free to focus on story. You might also find yourself cultivating a number of friends in the community who support you while you support them. But to make that first step, to post your first fanfic, that’s a hard thing to do. After all, not everyone online is supportive. In fact, there are plenty out there who seem to thrive on spreading misery. They are to be ignored. For what it’s worth, in my fan fiction experience, I never had haters, just supporters, and I count myself very fortunate .
As you grow as a writer, with practice and with the support of your writing community, you might find yourself branching out to original fiction. Or not. We write, after all, for the love of it. There are, at the time of writing, about 76 thousand Doctor Who fan fics posted on FanFiction.net. Several tens of thousands more are posted on archiveofourown.org. There are sites where you can post original fiction and interact with community members of similar interests. Examples include Wattpad and Inkitt. You can also go the self-publishing route if you’re so inclined. I happen to know at least one pretty good self-published book …
This is truly the golden age of creative output. With the tools we have readily available at home, we can easily create all manner of works and make them available to others. And you never know what will come of it. Anyone remember this tweet from Emily Cook?

After organizing this event, plus a number of others, as well as producing outstanding extra content from Doctor Who alumni, Ms. Cook is now a Big Finish producer. Jonathan Carley, who put himself out there as, among other things, an interpreter of the War Doctor, now has two Big Finish box sets in which he has starred. Jaspreet Singh, who has produced, edited, and sound designed a number of Doctor Who fan productions (including my personal favourite, Doctor Who: The Eighth Day), has been doing editing and sound design work for Big Finish. (He also does a pretty mean Third Doctor.)
Let’s be honest. Commercial success in the arts is hard to come by. So while it’s fine to hope for that, don’t make it the sole driver for your output. Create what you create for the love and fun of it, and if nothing else, you’ll be making the lives of those around you a little bit brighter, which is perhaps the greatest success of all.