Tag Archives: paperback

The Woman in Red

The Woman in Red

Phew! It’s finally out there. When you finish a writing project, it can feel like you’ve just finished the last exam of your final year at university. You’re completely spent, happy that it’s over, but also satisfied that you’ve done the best that you could do.

I’m talking about my second short story collection, The Woman in Red. As I found with my previous collection, Something Special, writing the stories is just the beginning. When you go the self-publishing route, you are in fact the publisher. It’s up to you to either do the necessary work or delegate it, and that includes editing, copy editing, layout design, and, well, you have to do it all. Amazon’s Kindle Direct Publishing (KDP) tools help a lot, but it’s up to you to make the finished product as perfect as it can be.

As for the stories themselves, they have a theme, one I wasn’t conscious of as I wrote them. Sometimes you don’t understand what you’ve done until you’ve done it. In The Woman in Red, the theme is, what if you found out that everything you thought you knew was wrong and your understanding of the world was completely upended. What then? I explore that theme in multiple genres, including crime, horror, fantasy, and children’s.

The titular story, “The Woman in Red”, has a particularly interesting history for a couple of reasons. First off, it was actually completed years ago, but subsequently sat in an editor’s in-basket for a very long time. I finally decided to liberate the story and present it here. Also interesting is the fact that it was initially meant to be another of my Castle fan fictions. To discuss how the concept grew from a fanfic to an original tale would be to spoil it, but I explore this in the postscript following the story. The funny thing is, now that the story is out there, I’ve an almost irresistible urge to write the fanfic as I originally intended. That probably won’t happen, but never say never …

This is a much shorter collection than my previous book, Something Special, because my next project will be longer form prose. You get a sneak preview of that novel here with the first chapter of A Familiar Voice, the sequel to the story “A Voice.”

If you do pick up a copy of The Woman in Red, I certainly hope you enjoy it. The beautiful cover art is courtesy of @VIIIJohannes.

Amazon.com: https://www.amazon.com/Woman-Red-Selim-Ulug/dp/B0BMJGLF5N/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1669407114&sr=8-3

Amazon.ca: https://www.amazon.ca/Woman-Red-Selim-Ulug/dp/B0BMJGLF5N/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1669407156&sr=8-1

Amazon.co.uk: https://www.amazon.co.uk/Woman-Red-Selim-Ulug/dp/B0BMJGLF5N/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1669407189&sr=8-1

Self-Publishing: Some Lessons Learned

If you’ve been reading my blog or following my Twitter posts, it won’t have escaped your attention that I’ve recently self-published a collection of short stories called Something Special. It’s available at Amazon in eBook and paperback formats.

One of the first things I learned along the way was the difference between anthology and collection. An anthology contains stories by multiple authors. A collection contains stories from one author. Something Special, then, was going to be a collection.

Lets start with some lessons learned from publishing the eBook version.

One of the first things that surprised me is that, even though you’re the author of the eBook, you need to purchase it like anyone else to get it into your Kindle library. If I’m mistaken, let me know, but I couldn’t find any other way to do it.

If you use Kindle Create to put together your eBook, then you must never, ever, compose text within that tool. Ever. Instead, write text in a word processor and then copy-and-paste it into KC. Why? KC does not have a spell checker. My published eBook ended up with a typo on the dedication page. I mean, of all places ….

I was concerned with making the text as perfect as possible before publishing. However, in the back of my mind I thought that, even if there was a mistake, I’d be able to upload a corrected manuscript and that my readers would receive an update. That’s not the way it works, unfortunately. Amazon seems to keep track of which version of the eBook you purchase, and even if you delete your local copy and re-download, you end up with the same version you started out with. My early readers, then, are stuck with the version that has the typo in the dedication as well as some other formatting glitches. As the author, I wanted the corrected version but couldn’t get it. I’d even permanently deleted and re-purchased the eBook, and still had the original version. I had to contact KDP support so that I could get the corrected version in my Kindle library.

And now some things to consider when publishing a paperback on Amazon.

In preparing the paperback, it would have been very helpful to be able to get a copy and review it before it went “live” and was available to everyone. Unfortunately, that isn’t the case, and being in Canada, I got my copy after some others in the US had already received it. And as it turns out, I wasn’t completely happy with my first go at it.

But let’s start with Microsoft Word. It’s best to use that tool since the Kindle Direct Publishing (KDP) site has detailed instructions on how to configure a Word document. I’ve had a lot of experience with Word, off and on over the years. As is the case with many of you, my relationship with it can best be described as love/hate. While preparing the paperback version of the manuscript, I would have sworn on some occasions that Word gremlins were busy making changes after I closed the document. Section breaks that were to begin on the next page became continuous breaks, headers that had been disconnected with the previous section’s header were suddenly connected. It was maddening. I had to make a lot of passes through the document to get it (mostly) right.

One of the things about the paperback version that was tricky was the gutter margin. This is the inside margin of the page that is bound to the spine. The first version of the paper had too wide a gutter margin. In the end, I’ve gone with half inch margins on the left and right plus a quarter of an inch extra for the gutter. This for a roughly 300 page book. I’m much happier with how that turned out. I did something a bit different for the front matter, eliminating the extra margin space altogether. For those few pages, the space lost to the binding was negligible and, with the change, the text that was meant to be centred actually look like it was centred.

Speaking of centring text, here’s something I learned about centring header text. They default style, Normal, includes a paragraph indent on the first line. Unfortunately, as I learned the hard way, Word centres your text in-between the start of the indent and the right margin, and not between the left and right margins. You have to manually remove the indent (or apply a different style, I suppose) for the text to be centred properly.

Although this post is basically a collection of “gotchas”, I don’t want to leave the impression that it was a negative experience. On the contrary, there is nothing more magical than holding a book you wrote in your hands.

That’s about all I can think of at the moment. I’ll update if anything else comes to mind.