Tag Archives: Titanic

On the Release of Battle Scars

My second short story for Big Finish, Doctor Who – Short Trips: Battle Scars, has been released.

To be completely honest, I’m still high as a kite.

The whole thing started very shortly after Alfie Shaw took over as producer of the Short Trips range. I believe this was in April of 2018. In fact, I had just finished listening to an interview with him on the podcast when he contacted me and asked if I’d be interested in doing another story for Big Finish.

I didn’t have to think about this for very long.

He gave me a one or two sentence “brief”. The story would cover a famous gap in Doctor Who history, revealed in the first Ninth Doctor episode, “Rose”. Clive shows Rose a photo of the Daniels family of Southampton plus “friend”. The friend is obviously the Doctor. The family was meant to have sailed on the Titanic but didn’t. Alfie left the whys and wherefores, and basically the entirety of the story, up to me.

As usual, the first step was to write a one page synopsis and seek the approval of the BBC. This took a while, longer than it did for Landbound, but then this was during the transition between Steven Moffat’s team and Chris Chibnall’s. To my surprise, the BBC rejected the original title, which I won’t reveal. We had to come up with a new one. To be honest, I really liked the original title and my attempts to come up with an alternative were probably half-hearted. I had nothing. Finally, Alfie saved the day and suggested “Battle Scars” which fit perfectly.

At first I was going to make Arthur (the father) the Doctor’s main companion. Then I decided it would be more interesting to tell the story from Connie’s point of view. I love Connie. She reminds me of the precocious boy in the movie, Mr. Holmes, who basically rules the roost. In order to better explore the after-effects of war, Arthur is a veteran of the Second Boer War. Later in development, I made William Spence a veteran as well. Two life-long friends driven apart by the war.

Arthur is in the shipping industry to reinforce the theme of the Titanic lurking ominously just out of sight. And, I reasoned, Arthur’s contacts would have helped him score tickets to the Titanic, which must have been in high demand. The Doctor’s driving his fist through the hull of Arthur’s ship is meant to conjure in your mind what the iceberg did to the Titanic.

After three or four drafts, the story was done. Nicholas Briggs recorded the narration in November. From his comments on the podcast, I believe he recorded Harry Draper’s The Last Day at Work on the same day. And, as also mentioned on the podcast, he was just back from last year’s Chicago TARDIS and was still quite jet lagged. Mr. Briggs, it seems, has far more energy than do I.

On August 30th, as I was getting ready for bed, I thought I would check, just in case Battle Scars was available. And to my delight it was! I sat down to listen to it for the first time. Nicholas Briggs is an amazing actor. For a short story, Battle Scars has a lot of characters. He brought each one to life beautifully. I’m so lucky that he was able to narrate both of my Big Finish stories. The production focusses on the narration, providing thoughtful music in between scenes and sound effects that support the story. I loved it. It was everything I’d hoped for and more.

Once again, working with an editor was marvellous. Alfie was a great sounding board and he wisely warned me away from some wrong turns. With his guidance and helpful suggestions, the story ended up much stronger than it would have been.

You have to hand it to the Doctor Who fandom. There’s nothing like it. In any other genre, publishing a story might result in the odd tweet, a handful of reviews, and that would be it. But when Big Finish publishes your Doctor Who story, the Internet lights up with congratulations and thoughtful reviews. I couldn’t be more grateful for the support from the community.

And now, it’s time for me to start working through my queue of great Big Finish releases.

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